What colours are used in the Protea Row design?

The palette runs from dusky rose and deeper pink through to near-maroon at the flower centres, set against a warm cream background with soft olive-green stems. The pink carries a warm undertone, which sits comfortably with warm timber and brass fittings rather than cool greys, and the maroon centres give the wall a quiet anchor point without needing black.

Does the pattern repeat across the wall or is it one continuous scene?

This is a mural rather than a repeating pattern, so the row of protea flowers is printed as a single wide scene. It has been designed to tile horizontally, which means it can be extended along a long wall without a visible seam breaking up the line of blooms.

Is this design classed as floral or botanical?

It reads as floral rather than botanical, because the protea heads are the clear focus of the composition rather than the leaves or stems. Each bloom is drawn in fine linework with shading in pink and maroon, arranged in a single row along the lower portion of the design.

Will the protea motif look too small on a big wall?

Pattern scale is best judged against the wall it will cover rather than the room around it. On a wide wall this row of blooms reads as a clear, legible motif running along its length, while on a narrower wall the same flowers sit closer together and read more like a border.

Which wall in the room should I use this on?

It works best on the wall that faces you as you walk in, or the one the furniture is already arranged towards, since that is where a mural gets seen and appreciated. Papering a wall that sits outside the sightline from the door means the design does less work for the room.