Description
What colours are in this wallpaper?
The palette is built from rosewood brown and a soft cream background, with no other colour competing for attention. This tonal approach means it reads warm rather than busy, and it sits easily next to timber furniture, brass fittings or dark upholstery without needing the rest of the room to match it exactly.
Is this design too busy for a small room?
The branches and flowers are dense but kept to two tones, so the pattern reads as rich rather than overwhelming. In a compact space like a cloakroom or landing, where you pass through rather than linger, that density becomes a feature rather than something that tires you over time.
Will the butterflies and flowers look too small on a big wall?
The roses and peonies are drawn at a scale that stays legible from across a room, while the trailing branches link the repeats together so the wall doesn’t fragment into isolated motifs. On a full wall it reads as one continuous trellis rather than a collection of small prints.
How many panels will I need and how do they go up?
The wallpaper is supplied as numbered panels, either 60cm or 110cm wide, designed to butt together edge to edge. You hang them in sequence starting from one side of the wall, which keeps the branch pattern aligned as it travels across the surface.
Does this wallpaper fade in direct sun?
Like any printed wall surface, prolonged direct sun will soften the colour over the years. Because this design uses a deeper rosewood tone rather than a pale wash, it holds its depth and contrast for longer than a lighter palette would on a sun-facing wall.

































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