Description
What colours are in this mural?
This scene sits in deep charcoal silhouettes against a soft grey-blue sky, with pale mist breaking through in white. The dark tones anchor a wall and read almost graphic from a distance, while the grey-blue keeps the overall effect calm rather than heavy, letting it work with warm or cool furnishings alike.
Does this design suit a room with little natural light?
Because the trees are rendered as near-black silhouettes against a paler sky, the mural reads well even in rooms that don't get much sun, with contrast doing the work rather than bright colour. In a well-lit room the pale mist and light rays add a gentler, airier feel instead.
What scene does this mural show?
The design shows a line of pine and birch trees along a hillside, their silhouettes doubled in the still surface of a lake below, with mist and shafts of light moving through the canopy. The mirrored composition is the main feature, so it suits a wall where the full width can be seen at once.
Will the reflection stay symmetrical if my wall isn't square?
The scene is scaled and cropped to match your wall rather than stretched, so the forest and its reflection keep their true proportions whatever the wall shape. On walls with a different ratio to the original image, some of the sky or water at the edges is trimmed rather than the trees being distorted.
How does the mural arrive and go up on the wall?
It's supplied as a set of numbered panels, each 60cm or 110cm wide, that butt up against each other in sequence. Because the composition is symmetrical, hanging them in the correct order from one edge across the wall keeps the reflection lining up correctly across every join.

































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